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Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
Bright light in a cold time Richard Moore’s solo show at The Front in Montpelier, “Urban Revision,” features inkjet photographic prints on birchbark. The medium of birchbark—fragile, ephemeral, and textural—revises the planar photographic image, and how we might see our home places. “Sometimes it is like looking into the future," said Daryl Burtnett, another artist […]
The Front at 6 Barre Street, Montpelier is a collaborative gallery of about 20 artists who present a group show of members' work every other months; in the intervening months there are one artist shows. Show 53 will start with an Art Walk reception on Friday, February 3 from 4:00 to 8:00 and continue through […]
The Front at 6 Barre Street, Montpelier is a collaborative gallery of about 20 artists who present a group show of members' work every other month; in the intervening months there are one artist shows. Show 53 will start with an Art Walk reception on Friday, February 3 from 4:00 to 8:00 and continue through […]
NORTH:Paintings by Elizabeth Nelson on the beauty and fragility of the colder climates of Vermont, Iceland, and Norway. The Front 6 Barre Street Montpelier VT 05601 March 3, 2023 - April 2, 2023 Gallery Hours: Friday 4 -7- Saturday and Sunday 11AM - 5PM Opening Reception Friday March 3, 2023 4 to 7 PM Artist's […]
Stowe artist Chip Haggerty sends really big thank you notes. His series of “Thank You Notes” is being shown through the month of May at The Front in Montpelier. The notes, often six feet long or tall, are exuberantly painted and scrawled on brown bag paper.
Stowe artist Chip Haggerty sends really big thank you notes. His series of “Thank You Notes” is being shown through the month of May at The Front in Montpelier. The notes, often six feet long or tall, are exuberantly painted and scrawled on brown bag paper.
Stowe artist Chip Haggerty sends really big thank you notes. His series of “Thank You Notes” is being shown through the month of May at The Front in Montpelier. The notes, often six feet long or tall, are exuberantly painted and scrawled on brown bag paper.
Stowe artist Chip Haggerty sends really big thank you notes. His series of “Thank You Notes” is being shown through the month of May at The Front in Montpelier. The notes, often six feet long or tall, are exuberantly painted and scrawled on brown bag paper.
Stowe artist Chip Haggerty sends really big thank you notes. His series of “Thank You Notes” is being shown through the month of May at The Front in Montpelier. The notes, often six feet long or tall, are exuberantly painted and scrawled on brown bag paper.
